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Thursday, October 11, 2007

The Darjeeling Limited (2007)

This is the biggest disappointment yet from Wes Anderson. The real problem isn't that he doesn't correct the things he's been doing wrong in the past (like making the same movie over and over and over...) but that he doesn't do well the things that he's done excellently in the past. Everything is here on the surface, neurotic characters, painstaking art direction, precious and obscure musical choices, dead pan comic delivery, and exotic locale, but there is a surprising lack of emotional depth. I think part of the problem is the lack of any real dramatic tension, and also the very real sense that you've seen this before and more or less know how it will turn out. Anderson always tries (and often succeeds) to get you to love seemingly unlovable characters, but he just falls flat here.

But my particular gripe with this film is the continuing problem of Anderson using people of color as props for working out his main characters problems. He went to the trouble of setting the movie in India, and obviously shooting quite a bit of it there. But nothing shows any insight into what kind of place India is, almost as if it could have been set in any "exotic foreign locale."

It's particularly irking that Anderson trys to show an awareness of his characters own ethnocentricity, but fails to recognize the films'. His characters expect to go to a far-away land and have a life-changing experience, though they make no effort to really experience India beyond their luxury train compartment. Anderson points that out as when Owen Wilson deadpans, "These people are beautiful, I love them," apparently oblivious to the fact that a group of Indian men are laughing at him. So the film is actually about people going away to a far-away land and NOT having a life changing experience. Though the storyline is flipped from a traditionally orientalist one, the underlying problem hasn't changed. India remains a mere tool for the characters' revelation, or lack thereof.

Anyway, the film definitely looks beautiful, i'll give it that. And i think one line get's it right, when Adrien Brody says that he love India's "spicy" smell. Word. Despite that and the hot train attendent lady, i can't recommend this one.

5 Comments:

  • At 9:11 PM, Blogger Caffeine Free said…

    Chris, I really thank you for this review, as I'm debating whether or not to make an effor to see this film in theaters. I'm curious: what is your favorite Anderson film? Truth be told, I haven't seen Bottle Rocket and couldn't make it thought Rushmore (simply because I can't watch compulsive lying on film...don't ask). So besides those, did any of his other films stand out for you and why?

     
  • At 9:33 AM, Blogger chris said…

    No problem. Well, i think Bottle Rocket and Rushmore are probably my favorite movies of his. Besides those, i think there are only The Life Aquatic and The Royal Tenenbaums. I thiknk the Royal Tenenbaums is the better of the two, it does highlight everything he does well, intricate detail both visually and in the characters' backstory, great music to match his farily precious aesthetic, and big emotional moments. I think it's a pretty solid movie, although it doesn't have the sense of "freshness" (ahh, refreshing!) that the first two did for me.

     
  • At 7:12 PM, Blogger Jienan said…

    your post reminded me of the 'lost in translation' debates from 2004... of which I was very much on the 'there's nothing that i hate more than the 'othered' people or cultures being used as a backdrop for solving white peoples' damn problems'

     
  • At 8:54 PM, Blogger Pete said…

    we posted an article dealing with some of these themes in DL and other recent India movies, check it out:
    Holy Cow: Films Set in India Show the Country in a New Light

     
  • At 1:07 PM, Blogger Chris said…

    well, it pretty much confirmed what i suspected about wes anderson, he seems sorta clueless.

    chien your phrase "white peoples' damn problems" accurately describes what all of wes anderson's movies are about. (lol) not to rag on him too much, he's still done some good stuff.

     

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