Review: Wizardzz - Hidden City of Taurmond (2006)
It might seem easy to predict what Wizardzz are going to sound like, given that they're a keyboard and drums duo on Load records featuring the bassist of Lightning Bolt. But if you're expecting pummeling noise rock, you've got another thing coming, as Judas Priest would say.
To be sure, there are some pretty freaky synth tones here, and the drummer (Lightning Bolt's Brian Gibson) definitely kicks up a racket, but despite this being a power duo making fringe rock music, there are few outright similarities to the Bolt or other Load labelmates.
Wizardzz are surprisingly felxible and subtle for a duo. While video game music is definitely a contributing factor to their approach, it's only one of many, and they don't sound nearly as proggy as a name like "Wizardzz" might lead you to believe. In fact, ambient music seems to be as much an influence as anything. And the drumming primarily sticks to tight, muscular beats, but there's enough detail and variation to keep things interesting.
In general the album moves from the more accessible and melodic compositions towards the more abstract ones, but rather than losing momentum, it actually picks up steam as it moves away from the video game tunes. The end of the album has a number of longer ambient jams, wisely alternated with shorter songs to keep things moving. The jams, which are really the heart of the album, sport changing textures and very atmospheric layers of keyboards. Most of the songs ratchet up the intensity this way, but instead of peaking they move into a plateau of intensity and stay there for several minutes. Wizardzz have a knack for getting you into a mental zone that not only paralyzes, but also tickles one of your music-related endorphin glands. Not bad.
To be sure, there are some pretty freaky synth tones here, and the drummer (Lightning Bolt's Brian Gibson) definitely kicks up a racket, but despite this being a power duo making fringe rock music, there are few outright similarities to the Bolt or other Load labelmates.
Wizardzz are surprisingly felxible and subtle for a duo. While video game music is definitely a contributing factor to their approach, it's only one of many, and they don't sound nearly as proggy as a name like "Wizardzz" might lead you to believe. In fact, ambient music seems to be as much an influence as anything. And the drumming primarily sticks to tight, muscular beats, but there's enough detail and variation to keep things interesting.
In general the album moves from the more accessible and melodic compositions towards the more abstract ones, but rather than losing momentum, it actually picks up steam as it moves away from the video game tunes. The end of the album has a number of longer ambient jams, wisely alternated with shorter songs to keep things moving. The jams, which are really the heart of the album, sport changing textures and very atmospheric layers of keyboards. Most of the songs ratchet up the intensity this way, but instead of peaking they move into a plateau of intensity and stay there for several minutes. Wizardzz have a knack for getting you into a mental zone that not only paralyzes, but also tickles one of your music-related endorphin glands. Not bad.